Tagny Duff:

  • 2012,”Untitled”. Vibrancy Effect. Eds. Harry Smoak, Chris Salter and Michel van Dartel. V2 Institute for Unstable Media. (Animated ePub, Illustrated with video fragments).
  • 2012, “Cryobook Archives”. Media Arts Revisited. Eds.Kim Sawchuk, Andrea Zeffiro. Canadian Journal of Communication,. Spring 2012. Vol 37, No 1.
  • From Bio-Arts and the feminist politics of hands-on knowledge: An interview with Tagny Duff by Kim Sawchuk
    “N.paradoxa: International Feminist Art Journal, July 2011, Vol 28: Biopolitics – ArtHist: H-Net Information Network for Art History / Archive.”
  • 2011,Living Viral Tattoos. Crisis Alert!Total Art. Volume 1. No. 1.
  • 2011, Duff, Tagny; Muhling, Jill; Godinho, Maria Grade; Hodgetts, Stuart. “How To Make Living Viral Tattoos”. Leonardo Journal of the International Society for the Arts, Sciences and Technology (ISAST). Spring. Vol. 44, No. 2, Pages 164-165.
  • 2009, “Going Viral: Live Performance and Documentation in the Science Laboratory”. Performance Research Vol. 14, No.4 ‘Transplantations’(eds Ric Allsopp and Phillip Warnell). Routledge.
  • 2009, “Living Viral Tattoos”. EVOLUTION HAUTE COUTURE: Art and Science in the Post-Biological Age. Edited by Dmitry Bulatov. Published by the Kaliningrad Branch of the National Centre for Contemporary Art. pp 122-123 (Includes text and DVD component).
  • 2008, Revisiting Codpieces: Phallic Paraphernalia: Time, documentation and migration. Ed. Paul Couillard. Ironic to Iconic: The Performance Works of Tanya Mars. Toronto: FADO Performance Art Inc..Pp 138-147.
  • 2004, FFWD, RWND and Play: Performance art, video and reflections on feminism in Vancouver 1973-1983. Caught in the Act: Performance Art By Canadian Women. Eds. Tanya Mars and Johanna Householder. Toronto: YYZ Books. Pp 41-53.
  • 2004, Telepresence. Sound in Contemporary Canadian Art. Ed. Nicole Gingras. Montreal: Artexte. Pg 166-169.